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wedsapril17flyer-01.jpg
kings_flyer_facebook.jpg
tinybombssecrettombs.jpeg
 Three of swords.  Mediums: gouache, ink, wine, blood, & digital printing.  I like how this turned out but really regret having the border so dark and close in. It feels claustrophobic and would have looked a lot better with a light border further off. Learning not to overwork stuff, embrace negative space, and allow for breathing room is an ongoing process (in art + life...)

Three of swords.

Mediums: gouache, ink, wine, blood, & digital printing.

I like how this turned out but really regret having the border so dark and close in. It feels claustrophobic and would have looked a lot better with a light border further off. Learning not to overwork stuff, embrace negative space, and allow for breathing room is an ongoing process (in art + life...)

hgj.jpg
june24flyer.jpg
sammcpheeters2012.jpeg
 Double-sided flyer, collabo with Jean. I think this was the biggest (most well attended) show I ever did at the Girl Cave. Either that or it ties with the 10/08 Salome/Thou/PLush/Turboslut/Drow show. This was the end of a weekend with ¡APESHIT! and I had tour flu/my voice was so lost that every time I screamed, I got vertigo. Coped with tequila. Memories pullin at my heart-strings.

Double-sided flyer, collabo with Jean. I think this was the biggest (most well attended) show I ever did at the Girl Cave. Either that or it ties with the 10/08 Salome/Thou/PLush/Turboslut/Drow show. This was the end of a weekend with ¡APESHIT! and I had tour flu/my voice was so lost that every time I screamed, I got vertigo. Coped with tequila. Memories pullin at my heart-strings.

hgjtapecover.jpg
maximumrisk copy.jpg
flyervday2013.jpg
6803527116_fa76a0ed47_o.jpg
   ←         →     ⤢    ×   ×       beck    12 27 2009        Rub on letters and xerox collage, photocopied.         Sometimes, when other people ask me to make flyers, I react by making them really sloppy or snarky, in attempt to prevent future favor-solicitation. (I could also just tell people when I don't feel like providing unpaid labor, but what would be the fun in that?) This was one such flyer, "commissioned" by my colleague local show-mogul Chris Moore.

 

× ×

 

beck

12 27 2009

Rub on letters and xerox collage, photocopied.

 

Sometimes, when other people ask me to make flyers, I react by making them really sloppy or snarky, in attempt to prevent future favor-solicitation. (I could also just tell people when I don't feel like providing unpaid labor, but what would be the fun in that?) This was one such flyer, "commissioned" by my colleague local show-mogul Chris Moore.

3023210484_5dbc2bd8fd_o.jpg
3286983332_83065f75b2_o.jpg
April 14, 2011

April 14, 2011

2754252184_77b380e8d0_o.jpg
1228087699_8b5c547353_o.jpg
1228986486_621ed4e623_o.jpg
1228126817_6a27640e1e_o.jpg
1228228569_f517c2f0d1_o.jpg
2007

2007

Wendy O. Williams. For a flyer I made for Magrudergrind. Pencil & pen.

 Collaboration with Mike Taylor.

Collaboration with Mike Taylor.

1228120621_1810090dfb_o.jpg
1228110183_46fab4ec9b_o.jpg
 Collaboration with Mike Taylor.

Collaboration with Mike Taylor.

1228105639_c5dc5d4f43_o.jpg
1228947198_91d236ba68_o.jpg
1228947766_798a7236a8_o.jpg
2257104918_181ba1b2bc_o.jpg
 Ink, manipulated with a color copy machine and layered thru multiple passes in such a machine.  This is inspired by the cover and contents of Adulterers Anonymous, an amazing collaborative book of poetry by Lydia Lunch and Exene Cervenka.  I had to salvage the original drawing from a little disaster. I spent about 10 hours sitting at my dining room table drawing this, but during that time, people came and went (I lived in a moderately chaotic punk house at the time) and various beverages were in proximity to the drawing...some spilled. Buy the ticket ride the ride, as they say.

Ink, manipulated with a color copy machine and layered thru multiple passes in such a machine.

This is inspired by the cover and contents of Adulterers Anonymous, an amazing collaborative book of poetry by Lydia Lunch and Exene Cervenka.

I had to salvage the original drawing from a little disaster. I spent about 10 hours sitting at my dining room table drawing this, but during that time, people came and went (I lived in a moderately chaotic punk house at the time) and various beverages were in proximity to the drawing...some spilled. Buy the ticket ride the ride, as they say.

2556036963_585f008f59_o.jpg
2474378603_bdf0da3342_o.jpg
2275991623_97416fa0cc_o.jpg
1519637615_d5a8abd9f5_o.jpg
1546962564_703a34cf47_o.jpg
 Gouache and ink on watercolor paper.

Gouache and ink on watercolor paper.

4073000914_16f6e8d225_o.jpg
 ink + saliva on watercolor paper. glaring daggers. paper hue was brighter than this scan shows. this is one of my favorite kinds of flyers to make--lots of scribbles and secret messages, no digital alterations, bright photocopying.

ink + saliva on watercolor paper. glaring daggers. paper hue was brighter than this scan shows. this is one of my favorite kinds of flyers to make--lots of scribbles and secret messages, no digital alterations, bright photocopying.

 Crucial show. FLASH ATTACKS didn't show. Great turn out. Forming of life long friendships.

Crucial show. FLASH ATTACKS didn't show. Great turn out. Forming of life long friendships.

3494452509_a17b567f8a_o.jpg
 "Thou and Danke come before you to celebrate their everlasting love."  Ink. Xeroxed onto sage green cover weight linen.  My dad got married earlier that day. I went from being best man in his wedding straight to run this show. Cops came after three Thou songs, giving them a convenient excuse to pretend that wasn't already their set length. Was an awesome show anyway. Few attendees who weren't coming straight from my Dad's wedding took the "formal attire" suggestion.

"Thou and Danke come before you to celebrate their everlasting love."

Ink. Xeroxed onto sage green cover weight linen.

My dad got married earlier that day. I went from being best man in his wedding straight to run this show. Cops came after three Thou songs, giving them a convenient excuse to pretend that wasn't already their set length. Was an awesome show anyway. Few attendees who weren't coming straight from my Dad's wedding took the "formal attire" suggestion.

6803495618_3972505275_o(1).jpg
4791605830_4c807cee9a_o.jpg
2470416400_920b6f81cd_o.jpg
dcafbenefitfinal.jpg
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IMG_0975.jpg
IMG_0976.jpg
IMG_1603.jpg
IMG_1608.jpg
priests_flyer_color.jpg

Three of swords.

Mediums: gouache, ink, wine, blood, & digital printing.

I like how this turned out but really regret having the border so dark and close in. It feels claustrophobic and would have looked a lot better with a light border further off. Learning not to overwork stuff, embrace negative space, and allow for breathing room is an ongoing process (in art + life...)

Double-sided flyer, collabo with Jean. I think this was the biggest (most well attended) show I ever did at the Girl Cave. Either that or it ties with the 10/08 Salome/Thou/PLush/Turboslut/Drow show. This was the end of a weekend with ¡APESHIT! and I had tour flu/my voice was so lost that every time I screamed, I got vertigo. Coped with tequila. Memories pullin at my heart-strings.

 

× ×

 

beck

12 27 2009

Rub on letters and xerox collage, photocopied.

 

Sometimes, when other people ask me to make flyers, I react by making them really sloppy or snarky, in attempt to prevent future favor-solicitation. (I could also just tell people when I don't feel like providing unpaid labor, but what would be the fun in that?) This was one such flyer, "commissioned" by my colleague local show-mogul Chris Moore.

April 14, 2011

2007

Wendy O. Williams. For a flyer I made for Magrudergrind. Pencil & pen.

Collaboration with Mike Taylor.

Collaboration with Mike Taylor.

Ink, manipulated with a color copy machine and layered thru multiple passes in such a machine.

This is inspired by the cover and contents of Adulterers Anonymous, an amazing collaborative book of poetry by Lydia Lunch and Exene Cervenka.

I had to salvage the original drawing from a little disaster. I spent about 10 hours sitting at my dining room table drawing this, but during that time, people came and went (I lived in a moderately chaotic punk house at the time) and various beverages were in proximity to the drawing...some spilled. Buy the ticket ride the ride, as they say.

Gouache and ink on watercolor paper.

ink + saliva on watercolor paper. glaring daggers. paper hue was brighter than this scan shows. this is one of my favorite kinds of flyers to make--lots of scribbles and secret messages, no digital alterations, bright photocopying.

Crucial show. FLASH ATTACKS didn't show. Great turn out. Forming of life long friendships.

"Thou and Danke come before you to celebrate their everlasting love."

Ink. Xeroxed onto sage green cover weight linen.

My dad got married earlier that day. I went from being best man in his wedding straight to run this show. Cops came after three Thou songs, giving them a convenient excuse to pretend that wasn't already their set length. Was an awesome show anyway. Few attendees who weren't coming straight from my Dad's wedding took the "formal attire" suggestion.

wedsapril17flyer-01.jpg
kings_flyer_facebook.jpg
tinybombssecrettombs.jpeg
 Three of swords.  Mediums: gouache, ink, wine, blood, & digital printing.  I like how this turned out but really regret having the border so dark and close in. It feels claustrophobic and would have looked a lot better with a light border further off. Learning not to overwork stuff, embrace negative space, and allow for breathing room is an ongoing process (in art + life...)
hgj.jpg
june24flyer.jpg
sammcpheeters2012.jpeg
 Double-sided flyer, collabo with Jean. I think this was the biggest (most well attended) show I ever did at the Girl Cave. Either that or it ties with the 10/08 Salome/Thou/PLush/Turboslut/Drow show. This was the end of a weekend with ¡APESHIT! and I had tour flu/my voice was so lost that every time I screamed, I got vertigo. Coped with tequila. Memories pullin at my heart-strings.
hgjtapecover.jpg
maximumrisk copy.jpg
flyervday2013.jpg
6803527116_fa76a0ed47_o.jpg
   ←         →     ⤢    ×   ×       beck    12 27 2009        Rub on letters and xerox collage, photocopied.         Sometimes, when other people ask me to make flyers, I react by making them really sloppy or snarky, in attempt to prevent future favor-solicitation. (I could also just tell people when I don't feel like providing unpaid labor, but what would be the fun in that?) This was one such flyer, "commissioned" by my colleague local show-mogul Chris Moore.
3023210484_5dbc2bd8fd_o.jpg
3286983332_83065f75b2_o.jpg
April 14, 2011
2754252184_77b380e8d0_o.jpg
1228087699_8b5c547353_o.jpg
1228986486_621ed4e623_o.jpg
1228126817_6a27640e1e_o.jpg
1228228569_f517c2f0d1_o.jpg
2007
 Collaboration with Mike Taylor.
1228120621_1810090dfb_o.jpg
1228110183_46fab4ec9b_o.jpg
 Collaboration with Mike Taylor.
1228105639_c5dc5d4f43_o.jpg
1228947198_91d236ba68_o.jpg
1228947766_798a7236a8_o.jpg
2257104918_181ba1b2bc_o.jpg
 Ink, manipulated with a color copy machine and layered thru multiple passes in such a machine.  This is inspired by the cover and contents of Adulterers Anonymous, an amazing collaborative book of poetry by Lydia Lunch and Exene Cervenka.  I had to salvage the original drawing from a little disaster. I spent about 10 hours sitting at my dining room table drawing this, but during that time, people came and went (I lived in a moderately chaotic punk house at the time) and various beverages were in proximity to the drawing...some spilled. Buy the ticket ride the ride, as they say.
2556036963_585f008f59_o.jpg
2474378603_bdf0da3342_o.jpg
2275991623_97416fa0cc_o.jpg
1519637615_d5a8abd9f5_o.jpg
1546962564_703a34cf47_o.jpg
 Gouache and ink on watercolor paper.
4073000914_16f6e8d225_o.jpg
 ink + saliva on watercolor paper. glaring daggers. paper hue was brighter than this scan shows. this is one of my favorite kinds of flyers to make--lots of scribbles and secret messages, no digital alterations, bright photocopying.
 Crucial show. FLASH ATTACKS didn't show. Great turn out. Forming of life long friendships.
3494452509_a17b567f8a_o.jpg
 "Thou and Danke come before you to celebrate their everlasting love."  Ink. Xeroxed onto sage green cover weight linen.  My dad got married earlier that day. I went from being best man in his wedding straight to run this show. Cops came after three Thou songs, giving them a convenient excuse to pretend that wasn't already their set length. Was an awesome show anyway. Few attendees who weren't coming straight from my Dad's wedding took the "formal attire" suggestion.
6803495618_3972505275_o(1).jpg
4791605830_4c807cee9a_o.jpg
2470416400_920b6f81cd_o.jpg
dcafbenefitfinal.jpg
IMG_4716.jpg
IMG_7379.jpg
IMG_7063.JPG
IMG_7057.jpg
IMG_8239.jpg
IMG_8241.jpg
IMG_8242.jpg
IMG_8243.jpg
IMG_8245.jpg
IMG_8246.jpg
IMG_8581.JPG
IMG_8588.JPG
IMG_8599.JPG
IMG_8574.jpg
IMG_8575.jpg
IMG_8577.jpg
IMG_8578.jpg
IMG_8582.jpg
IMG_8583.jpg
IMG_8584.jpg
IMG_8585.jpg
IMG_8586.jpg
IMG_8587.jpg
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IMG_8590.jpg
IMG_8592.jpg
IMG_8597.jpg
IMG_8598.jpg
IMG_8600.jpg
IMG_0975.jpg
IMG_0976.jpg
IMG_1603.jpg
IMG_1608.jpg
priests_flyer_color.jpg